It stands out to view this in such close distance to Andrew Dominik’s “Blond,” an additional story of Hollywood predation focused around a fictionalized, brutalized Marilyn Monroe. For my cash, “Eternal life” has much more to claim concerning the voyeuristic nature of the movie video camera and also the leering man eyes that browse it. We view Marissa in different states of susceptability and also undress (sex and also nakedness are significant elements of the initial 2 movies, particularly), in some cases motivated by Marissa yet undoubtedly tinted by the power characteristics of the guys she collaborates with. In so doing, we recognize the meat-eating means Fischer and also Durick check out Marissa and also see it mirrored in ourselves. As our eyes check video footage of her frame-by-frame, or you click an uncovered bust to match-cut to an additional scene of the very same, it’s difficult not to really feel complicit because very same intake.
And also Barlow, similar to Dominik in “Blond,” is rarely immune from objection on that particular front. Whether Marilyn or Marissa, both numbers relish the transgressive nakedness of their topics under the semblance of critiquing the male stare that wish for it so ravenously.
Be careful: significant looters for an essential layer of “ Eternal Life“‘s gameplay adheres to.
Yet what makes “ Eternal life” much more evasive (and also subsequently much more gripping) is that abovementioned 3rd layer, which exists past the slim veneer of celluloid that divides fact from the films. It’s refined in the beginning, that reduced, bassy thrum that repeats particular stretches of video footage. Quit the tape and also roll it back gradually, and also something similar to a dive scare comes; where Marissa stood, you see a mystical lady (a haunting, revelatory Charlotta Mohlin) in her area, sliding via the structure like a snake. Her words are extra and also enigmatic yet talk quantities, particularly as you use the very same technique to increasingly more clips, revealing the darker, uneasy side of Marissa’s life as a musician.
Is she something mythological, the living personification of the Greek muses? Is she the symbolic expression of Marissa’s sublimated stress concerning the imaginative procedure and also her area in it? Completely, this component of the video game includes both analyses.
With Mohlin’s astonishing efficiency, secured with centuries of discomfort and also pain, comes “Eternal life”‘s most gorgeous minutes. This finishes (for me, at the very least, you can see the process in whatever order you such as) in a gut-punch lip-sync of Lou Reed’s “Sweet States”– a grief-stricken love tune concerning transgender lady Sweet Beloved, among Andy Warhol’s “super stars” (a number that himself drifts in the perimeter of Marissa’s New york city musician globe).